It often feels like a serenade, like a beautiful cocoon lovers make in the narrow space between their bodies. However, Inland also has a sound that’s free, a sound that wants to travel. Most of the songs don’t use much percussion, but doesn’t mean it lack rhythm for that much. Imagine yourself on a train, with giant headphones on, so it’s just you and the fleeing scenery… trees, fields, everything is wild, open and free. It’s just this, you, his beautiful, poignant voice, his guitar and a few modest arrangements… That’s the way I like to picture Inland in my head.

The album is well thought through. Some of the songs swing much in the way of a soft waltz with an airy piano leading the way (Don’t Go to Klaksvik) and a soft acoustic guitar strumming away in the background, pulled with a voice full with intent and wonderful sentiment. And the thing is, Vollebekk truly has the voice to pull it off. It comes from the proper part of his body to carry the different moods of all of his proficiently written ballads. The album was just recently released, and is a very worthy purchase for smooth folk lovers. It’ll be on repeat on your stereo until tulips start popping the snow (at the very least). It just so happens that Vollebekk is playing with Basia Bulat at L’Astral this weekend. If you can’t make it to that show, he’ll be back in Montreal at Casa del Popolo on February 27th.

Photo by ingimar björn daviðsson

Before the interview, I did a bit of research about Ohad’s project, but wasn’t able to find much online about it. Since I feel this is probably the most “fly on the wall” type member of DMST, I wasn’t entirely surprised. I even wondered how easy it would be to get this gentleman to talk to me about his music. One of my friends over at the CBC once told me that musicians are often pretty bad at talking about their own music and often don’t have very much to say about it, which is a fear that has been haunting me ever since. That being said, I feel pretty lucky to have had interviews with such kind, generous and talkative musicians that disprove my friend’s theory this week - and in a way, it was a beautiful surprise to be able to find out so much about what this project means to the talented guitar-man. At this point, I’d like to stop the amazed-and-starstruck-journalist-rambling and invite you to listen to the said interview.

Enjoy and don’t missed tonight’s show - it’ll seriously blow your heads off (in a good way)!

Years, The Happiness Project and Do Make Say Think
November 26th @ Sala Rossa
Tickets are $15 in advance and $18 at the door.
Doors open at 20:30 and show starts at 21:00

Word on the street is that I’m pretty picky about the music that I like… I don’t know if that’s true, but I guess it is to some extent. For over five years now, Apostle of Hustle has been one of my top two bands. I love their albums - they’re full of originality and I think that what they create is something truly unique and brilliant. Last spring, the band released a new full length record called Eats Darkness. On the date of its release, I was visiting my best friend in the whole wide world in Southwestern France, and that’s where I was when I heard it for the first time. To my great surprise, late last week, my editor at Midnight Poutine asked me if I’d like to do an interview with Andrew Whiteman for his upcoming show this Friday (November 27th, 2009). The simple fact of being coveted for this interview was pretty special for me, but actually getting to sit down with Whiteman over Skype for a Tuesday afternoon chat was particularly great for this gal.

Maybe when you were a kid, you laid on your bed, listening to your favorite record, daydreaming about what it would be like to have an actual conversation with your favorite rock star. Well today, I got to do that for real. I got to do it with Charles Spearin (my other top two musician - yes. I am a lucky girl) a few months back as well, but the fact that we were face to face, sitting in a roomful of people during sound check for his upcoming show intimidated me and sort of ruined the intimacy factor I dreamed of. With Whiteman, it was just me, him, all his wonderful creativity and all of my nosy questions. We got to talking about concept albums, the discoveries he achieved in his creative process with the new record, darkness, why you would want to eat it, what it would taste like, and his recent dive into the Frenchness of Montreal. You can listen to the full interview below. Hope you enjoy discovering what goes on inside the head of Andrew Whiteman as much as I did.

Apostle of Hustle is playing at Il Motore in Montreal this Friday, November 27th, 2009.
Tickets are $13.50 at the door.

From the very beginning of the show, it was apparent that this show was much more than about the music being played by the artist who wrote the songs - Peaches is all about entertaining her crowds and having fun with them. She walked on stage in a costume, that was more like a giant wig (but seriously, a wig that was about 2 or 3 feet taller than she was and covered her entire body down to her crotch), and peeled off layer after layer of costumes until she finished the show in a “nude-body-suit” with a brightly-glowing clit. In between that, I can’t really find words to describe it any better than to say: Peaches is walking, breathing, dancing, singing, rocking sex. On the stage is really where it comes alive for this one, and I don’t think I’ve ever seen such a good example of such a statement. Her show really blow the music out into the stratosphere. It was a sexy, heavy, rock n’ roll, dancey, gritty, sweaty ol’ time at the Metropolis last Tuesday. A friend I was with has gone to see her play live about 10 times (for true) already, and was still super excited to see this show - I can understand why. What a trip!

Photos by SarahBrideau.com

It was with great pleasure that yesterday, I decided to trek down to the hip neighborhood to meet the owners of this new store. Upon arrival, I immediately spotted an old school espresso machine, which I assure you, makes coffee as beautiful as you might imagine it would. The two gentlemen took time to tell me about what brought them to the business: “We’ve been touring musicians for a while now, and on every trip, we always end up finding the greatest vintage things. But came a time when we ran out of room in out closets and decided to make a business out of the habit”. Since there appeared to be a lack of such a business in the very hip neighborhood of NDG, they decided that it appeared to be the perfect place to set up shop.

As opposed to some vintage stores that tend to focus mainly on clothing, Kavanagh Vintage also sell a bunch of old musical instruments, some of which have even been creatively turned into a lamp, for example. I had a lovely time looking around at all the knickknacks, all tastefully arranged throughout the causy boutique.

For all the ladies who have a bag/purse fetish, you’ll be served - there’s a bunch of really nice ones there. They also have an impressive selection of vintage luggage. They also sell shoes, boots, and have a fantastic selection of hats.

Long story short: I absolutely fell in love with this store and will certainly make a point of returning regularly, if only to get lost into beautiful memories of the past (and to rebel against my stupid student-budget). If you get a little nostalgic afterward, or if you need to forget about the said “stupid-budget”, there’s a nice little pub next door, Honey Martin, that apparently gets some pretty great live music on a regular basis.

Kavanagh Vintage is located at 5922 Sherbrooke West at the Royal intersection. They are open from 10AM to 6PM from Monday to Wednesday and from 10AM to 9PM from Thursday to Saturday.

All photos taken by SarahBrideau.com

L’esprit était à la fête au Club Soda vendredi soir. Quoi de mieux alors pour animer la danse qu’un groupe musical aux saveurs gitanes, une tradition qui est décidemment toujours bien vivante dans le vieux pays. La salle était remplie d’une foule enjouée et dansante, qui ne montrait aucune retenue quant à son appréciation pour la prestation énergique du groupe.

Les quatre membres démontrèrent leurs multiples talents au cours de leur généreuse performance de deux heures. Changeant fréquemment d’instruments, ils avaient tout pour impressionner le public montréalais (quoiqu’en tendant un peu l’oreille, il était clair qu’une majorité de français étaient de la fête). J’ai cependant été un peu déçue en réalisant que certains instruments n’étaient pas performés « live ». Peu importe, car je crois que l’effet était subtil, et la foule ne semblait pas du tout importunée par ce triste fait, qui, on doit le noter, n’enlève rien au talent apparent du groupe. Si la mission du festival était de rassembler des actes musicaux qui démontrent et célèbrent le talent de la francophonie mondiale, je leur lève mon chapeau. Voilà une excellente façon de fêter la multiplicité francophone à Montréal!

Photos par SarahBrideau.com

Written by DeAnne Smith, Sarah Quinn and Samuel Booth, Other People’s problems is an evening of one act plays, all of which are performed by the talented Sarah Quinn. The plays involve virulent and entertaining comments on the “business of happiness”. Since the plays are all relatively short, it doesn’t take to long to get right to the core of things.

The first play is about self-help/motivational seminars. It talks about how those type of things tend to market their “new” approach by changing very little from the latest self-help fad. The character’s story of legal copyright infringement persecution gives off an inside story of two people who were originally good friends and business partners. Now, Louise (main character) is on her own and basically lets that baggage lead the way into shameless criticism of her friend’s methods to happiness. This play has funny insights on how the new self-help fad always finds ways of putting down the last one and making it’s audience feel small and helpless before it starts laying out a “new path” to self-improvement and fulfillment while communicating an increasing pressure to “achieve” as though it was the only way to truly be happy in our current society.

The second play features a character that has a popular advice vlog (video-blog). She gives her own personal advice without pausing to think what types of repercussions it may have on her audience. The character basically communicates thee same way one teenager might suggest to her friend to manipulate and lie in order to get what she wants. She’s not so much about solving problems in a mature and thoughtful way, as she is about getting from point A to point B in the fastest and easiest way possible. The play takes advantage of this setting to communicate a beef with the way companies manipulate vulnerable people to just as soon walk away from any liabilities their actions may bring on.

The third play features a lady who works on becoming a “strong, sexy and confident” woman. The lonely character sits down with a book-on-tape that tells her how to overcome her issues. However, an important message of the play, I think, is how something that doesn’t listen can only help you indulge into a dreamland and train you for something that won’t really happen - perhaps because all of our experiences are as individual and unique as we are. What it doesn’t, and can’t possibly do, is prepare you for how things really will pan out. While the character is getting lost in her fantasy dreamland with her first love, she’s not actually solving her real problem: loneliness.

The plays were pretty great and I enjoyed watching them very much. I think theater is probably the last of the indie arts: it’s so real and direct. I feel this very organic art is probably the best way of getting to the essence of creation where no politics or corporate agenda gets in the way. You still have a few days to catch the play with a friend, or by yourself, whatever.

Théatre Ste. Catherine
November 4-7 at 8PM
November 7-8 at 2PM
Tickets are $17/$12 (for students and seniors)
514-284-3939

Photo by SarahBrideau.com

My new kitteh.